How do you kill trees
How To Kill Tree Roots
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General Tree Care
By: Heather Rhoades
Image by kropic
While we mostly enjoy the presence of trees in our garden, there are times when they can become a nuisance. Trees are just plants and any plant can become a weed, and knowing how to kill a tree is no different from killing a weed.
There are several ways how to kill trees; let’s take a look at a few.
Killing a Tree by Girdling
Remove the bark completely around the circumference of the trees. This way how to kill a tree is called girdling. This is one of the most effective methods for killing trees as it will always work. The tree will be unable to transport nutrients from the leaves to the roots and will die in a matter of weeks.
How to Kill Trees by Paving Around Them
Knowing how to kill tree roots is the same as knowing how to kill a tree. Tree roots need to breathe and if they are suffocated, the tree will die. Paving over tree roots, even mulching too deeply over tree roots, will slowly suffocate the tree and will end up killing trees that have their roots covered.
How to Kill a Tree with Salt
In wars past, salting the earth was how traitors were punished. Land that has salt added to it will not support life, even tree life. Be aware that salting will end up killing trees, grass and any vegetative life in the immediate area. Also, it may be quite some time before anything else grows there.
Methods for Killing Trees with Herbicide
Herbicides can be very effective for dealing with zombie trees that have been cut down, but continue to grow back. On a hot dry day, cut back the tree as much as possible and paint the fresh cuts on the tree with a full strength herbicide. Also, try making fresh cuts on the tree or drilling into the tree trunk and inserting herbicide into the wound. Please note that it is your responsibility to follow all Federal, state and local laws and regulations regarding the use of herbicides.
How to Kill Trees by Cutting Them Down
Cutting down a tree is among the most effective methods for killing trees. Start with cutting the outer limbs and continue inward. Once the limbs have been safely removed, cut down the main trunk. Drill into the remaining truck several times. If you would like to complete how to kill tree roots, fill the holes with salt, herbicide or nitrogen. Once the tree stump is dead, it can be chopped out easily.
Trees, while sometimes lovely, are not always growing in the best place. Wondering how to kill tree weeds or what is the best methods for killing trees does not go against the norm. Learning how to kill trees safely and effectively can help keep your garden safe and beautiful.
Note: Any recommendations pertaining to the use of chemicals are for informational purposes only. Chemical control should only be used as a last resort, as organic approaches are safer and more environmentally friendly.
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How To Kill A Tree Without Cutting It Down
Tree diseases are a problem that many homeowners have to face, and they can spread easily if you have more than a single tree in your yard.
However, cutting the tree down isn’t always an option. It can be expensive to hire a crew and dangerous to do if you’re not experienced.
Luckily, there are alternative methods to this. Read on to learn how to kill a tree without cutting it down.
Table Of Contents
- How to Kill a Tree Without Cutting It Down
- Killing a Standing Tree with Chemicals
- Girdling or Ring Barking
- Cut Surface or Hack and Squirt
- Basal Bark Treatment
- Herbicide Injection
- Spraying Foliage with Herbicide
- Soil Treatment
- Choosing the Best Chemical Tree Killer
- Tordon
- Roundup
- Alternative Tree Killing Products
- Alternative Methods of Killing a Tree
- Killing Tree Stump and Roots
- Effective Ways to Kill a Tree Stump and Roots
- In Summary – Killing a Standing Tree
- FAQs – Killing a Tree Without Cutting It Down
How to Kill a Tree Without Cutting It Down
The most effective way of killing a tree without cutting it down is by using chemicals! The primary reason for this is money – cutting a tree down is expensive and doing it on your own can end very badly.
There are also a few alternative methods that we’ll discuss later.
Before we go into the nitty-gritty about the process, there are a few things to keep in mind. There are situations when it’s advised to kill trees, there are also situations when you shouldn’t use chemicals to kill trees, and we also must mention all the safety measures and preparations.
In some instances – such as for diseased rhododendron – it is advised to kill the tree with chemicals rather than to cut it down. For some tree species, alternative methods are just not effective, which makes chemicals the best choice.
If you are unsure, check with your local department for specific details in your region.
There are also times when you shouldn’t use chemicals to kill trees. For example, if your tree is infected with sweet chestnut blight or if you have conifer trees in your home, using chemicals isn’t an option.
Dead conifer trees can easily develop a fungus which can cause damage to neighboring trees as well as any new trees you plant in its place.
Lastly, before we move on to the ‘how to’ of killing a tree with chemicals, it’s important to know all the regulations before you apply any potentially hazardous substances.
Different regions have different regulations, and it’s possible that only professionals can use these chemicals in your area.
It’s also crucial that you know which method is appropriate for your tree and what’s the best choice of chemicals for killing a standing tree.
Killing a Standing Tree with Chemicals
In this section, I’ll be providing details of all the different methods of killing a tree to help you better decide which options are available to you.
Girdling or Ring Barking
Girdling is also known as frilling, and it includes making a long wound around the circumference of the tree.
You can use any tool you feel comfortable with for this but bear in mind that the wound must be deep enough to hold in the liquid you’re applying with no dripping.
After making two girdle circles, one above the other (the depth depends on the size of the tree), you can apply your herbicide of choice.
Always read the manufacturer’s label on the herbicide bottle before applying so that you are clear on how much to apply, and any safety features you need to consider.
It’s important to apply the chemical as quickly as possible, as the open wound will start to dry out and make it more difficult for absorption to take place.
It is best to locate the girdles near the lower section of the tree. This will ensure that the chemicals have more chance of reaching the roots and therefore killing the tree quicker.
Cut Surface or Hack and Squirt
To ‘hack and squirt’, you first must make a cut in the tree with an ax. The cut should break through the bark all the way to the stem.
It’s best to make another cut right below to collect any leaking liquid.
After that, apply the herbicide according to the instructions on the packaging. Depending on the diameter of your tree (you’ll have to measure it), you’ll have to make multiple cuts.
Credit: PlantandPestThe larger the tree is – the more cuts you’ll be making.
After making a cut, squirt the killer liquid in the hole. Do that until you’ve applied the solution according to the instructions on the packaging.
Basal Bark Treatment
Basal spraying is effective only with small trees and bushes, no wider than 12 inches in diameter. If that’s the case, you’ll be happy to know that this method is cheap, but it might consume plenty of your time.
Image: themaplenews.comAfter buying your herbicide, apply the solution around the tree (the base of it) and cover the area of the root collar. It’s also best to cover all the stems growing around the tree.
Herbicide Injection
Similar to the ‘hack and squirt’ method, Herbicide Injections will require you to measure your tree to know how much product to buy. This depends on the product itself, so make sure to always follow the instructions.
Image: pitchcare.comAfter buying enough injections, drill 2-inch-deep holes (no deeper!) around the trunk. Holes should be about 3 inches apart from one another.
You’ll obviously need a drill for this.
After inserting the injections, hit them with a hammer to push them in and crack the end open so it releases the solution.
Spraying Foliage with Herbicide
Spraying foliage is an old method and it’s been substituted with the aforementioned advanced methods. It is usually used in high-volume spraying, often done by an airplane or helicopter when a large, wooded area needs to be cleared.
This method can be great (and cheap) with smaller, younger trees and shrubs. However, if you’re wondering how to kill a large tree without cutting it down, make sure that you don’t spend your money on the wrong thing at the store, as this method is no good for large trees.
Soil Treatment
When it comes to soil treatment, both liquid solutions and pellets are commonly used as an effective way of killing a tree.
This method is a bit more complicated than all the others; you first need to dig 8-inch-deep holes around the tree with 6 inches between them.
Apply the solution or pellets into those holes and the tree should die. However, several applications may be necessary, which is why it’s best to stick to the methods previously explained.
Choosing the Best Chemical Tree Killer
Next, I’ve been looking at and comparing the best tree-killing herbicides on the market. I’ve short-listed my favorites based on effectiveness, user-friendliness, value for money, and manufacturer’s instructions.
Tordon
Tordon is one of the most popular tree herbicides and is used to control and kill trees, while it also prevents them from sprouting again.
The active ingredient in Tordon is Picloram which makes this herbicide dangerous to all plants, not just trees. Make sure you keep it away from all plant life that you want to preserve when you’re applying it.
Many regions restrict the sale and usage of Tordon due to its toxicity so you will need to research in advance whether it is safe to use in your area before trying to order some in.
On a positive note, Tordon isn’t dangerous to you, your pets, or the bees in your garden provided you use the recommended amount of herbicide to prevent any runoff.
You also don’t have to worry about Tordon sticking around in the soil. It’s quickly broken down, and it’s only dangerous for trees. In addition, it can’t kill trees from bark and foliage contact alone, unless they’re young and undeveloped.
Using Tordon is straightforward. You’ll need to employ the hack and squirt method of application. Make sure you have the right safety equipment, protective clothing, and sharp tools to do the job properly. Purchase Tordon online here.
Roundup
Another popular and well-known solution is Roundup. Manufactured by the Bayer Group, this product contains glyphosate as its active ingredient. This herbicide works with almost all plants, which includes weeds, grasses, as well as trees.
The brand in general is more popular with weed-killing than it is with tree-killing, but nonetheless, their tree-killer products still get the job done.
As with all products that could potentially pose a hazard or risk if used inappropriately, it’s important to thoroughly read the manufacturer’s recommendations for use.
Taking advice and seeking guidance is applicable whether you are a professional with years of experience or a novice working in a domestic setting where other people, children, or pets are likely to be close by.
When it comes to usage, you will still need to check with your local Agriculture Extension Office to make sure it’s authorized for use in your area, but it is more widely available than products such as Tordon.
With Roundup tree killer you can choose how you apply it. From the squirt and hack method, injecting or removing sections of bark, simply select which method suits your needs best and follow the specific instructions for use.
Alternative Tree Killing Products
Other recommended products for killing a standing tree are Ammate, which is soluble in water, just like 2,3-D Amine.
Silvex Kuron is another herbicide, but it is heavily regulated and might be difficult to find in your region.
For a brush herbicide try Bio Advanced Brush Killer.
Alternative Methods of Killing a Tree
If killing the tree with chemicals isn’t an option for you, then an alternative is cutting the tree down and killing the tree stump and its roots.
It’s best to hire professionals to cut a tree down for you (unless you’re a professional yourself), as it’s a dangerous job and the tree could easily collapse on you, your home, or cause damage to the infrastructure or buildings that surround it.
After cutting the tree down, it’s worth considering killing the stump and the roots to prevent new shoots from sprouting.
Killing Tree Stump and Roots
In this section, I’ll explore the different methods and pros and cons of killing a tree stump, as well as the roots.
Effective Ways to Kill a Tree Stump and Roots
Burning the Tree Stump
Burning the stump is one of the most effective, yet most hazardous methods of stump removal.
It involves drilling as many deep holes as possible in the stump and then filling them with a burning liquid such as kerosene or gasoline.
The aim is to build a small fire on top of the stump, light it and then allow the stump to burn to the ground.
This method comes with a significant warning. Firstly, make sure the area is clear of debris and overhanging branches from other trees that could potentially catch fire. And, secondly, do not leave the fire unattended.
After it burns down, just throw away the ashes and fill the hole with new soil.
This method will burn away a good deal of the main root structure too.
Digging by Hand
Digging a stump up by hand is labor intensive and time-consuming, but it is an option if you are up for a cheap and effective workout.
You’ll need to literally dig it out with a shovel, which might require digging several feet into the ground. This method is best suited to young trees with short roots.
Alternatively, a slightly less arduous approach would be to use an excavator.
An expensive piece of kit to invest in if you just need it for one tree, but relatively cheap to hire by the day from a local supplier.
Stump Grinder
A stump grinder is a machine that uses a rotary cutter to cut the stump out.
To perform this, you first need to cut the stump with a chainsaw as low to the ground as possible. Next, you’ll use the stump grinder to cut and grind the stump completely away to ground level.
The grinder collects the ground pieces of the wood stump, after which you’ll just throw away the remains.
As with the excavator, you can rent a stump grinder locally for a day or a weekend. They can be very expensive to buy unless stump grinding is your business.
Copper Nails to Kill Small Tree Stumps
Copper nails are a possibility for small to medium-sized tree stumps.
Once the copper nails have been hammered into the tree stump, you simply need to wait for the copper to oxidize into copper sulfate. Since this is highly toxic to plant life, your tree stump will start to wither and die, will change color and bark will begin to flake off.
The copper nail method will take a few months to kill the stump, after which it can be removed from the ground quite easily.
This method takes time and patience but is much less harmful than using herbicides.
Salt to Kill Tree Stumps
Lastly, using Epson salt to kill stumps is a very effective method. All you have to do is drill 8-inch-deep holes in the stump that you’ll fill with Epson salt.
Be sure to cover the holes to make sure the salt doesn’t get out. I recommend using melted wax to seal the holes.
Use a cover to make sure the stump gets no sunlight or rain, as this will make the process faster.
Depending on the size of the stump and its level of decay, it can take weeks or months to kill a stump this way, depending on its size. However, once it’s dead, it should be easy to rip out of the ground.
Make sure to use Epson salt and not regular salt, as regular table salt can affect the pH levels of the soil around the stump and cause harm to neighbor trees and plants.
In Summary – Killing a Standing Tree
Chemicals are the best method of killing a tree. Most modern solutions can easily kill a tree. However, it requires some legwork, as you’ll probably need to drill holes in the tree or at least rip off the bark.
In some areas, you might need to hire professionals, as working with chemicals can be dangerous. You’ll also have to get rid of the stump and the roots once the tree is dead.
Make sure to check all the regulations and keep track of safety measures before you do anything.
FAQs – Killing a Tree Without Cutting It Down
How Do You Kill a Tree Without Anyone Knowing?
Everyone’s going to know you killed a tree if you cut it down because it will instantly affect the landscape and availability of light so it’s always worthwhile checking with your local authority to see if you need permission. Removing sections gradually can mitigate the effects and so too can using chemicals that will make the tree removal less conspicuous.
What Are the Best Herbicides for Killing a Tree?
Tordon and RoundUp are two global leaders when it comes to herbicides for killing trees. These are two of the most popular brands among professionals.
Forest app: love for nature defeats procrastination
LookBio editor Natalia Guseva tested an app in which pity for virtual trees helps to concentrate on real business, whether it's work, sports or reading
LookBio editor Natalya Guseva
Everyone who has problems with concentration and who works from home faced procrastination, the scourge of all 21st century homeworkers and freelancers. No matter what we do, no matter how empty our table is and no matter how formally we are dressed, there are days when the work does not capture, and the hand itself reaches for the smartphone. Instagram, Facebook, mail, news, Wikipedia - the standard way. When I wake up, I usually find myself transplanting flowers, cleaning the apartment, or suddenly urgently revising the wardrobe - after all, this is important, this is space optimization! We've all been through this.
In my case, procrastination can only be defeated by a martyr effort of the will - not always, however, accessible and effective. So I thought until today - until I tried the Forest app.
It sounds pathetic, but for me everything came together in Forest - my love for the forest, environmental principles and, in fact, procrastination. The bottom line is this: you download the application to your phone and set a timer for the time that you are ready to devote to work or other business - I started with 30 minutes. During this time, a “tree” grows in the phone, which will die if you exit the Forest or enter another application (except for receiving incoming calls). At the end of half an hour, if you didn't get distracted and didn't interrupt the application, you get a cute grown tree and 10 "coins", which you can then spend on other types of vegetation for your "forest". It is somewhat reminiscent of the odious "fun farm", only simpler and more useful.
In my opinion, the Forest application is a masterpiece of psychology and a subtle understanding of the mechanisms of procrastination.
This is not a reminder, not a stimulation of concentration, not time management, not an alarm clock. It even has to do with ecology only in the paid premium version, where it is possible to plant real trees with the help of the app’s partner, the Trees for the Future Foundation. In fact, Forest gives the user a choice - either you are distracted by other applications, or you “kill” the tree. Dot.
The developers have chosen an ideal object for pity: some virtual hedgehogs or bunnies would already be funny and the subconscious would not believe in their “death”, and faceless points and fines will not motivate anyone. But trees! Everyone who was taught as a child that you can’t pick flowers and break tree branches unnecessarily, because “it hurts them too,” is simply not able to press the “Give up!” ( en . - give up) and lose a fragile tender sprout, albeit not real. And immediately Instagram and Facebook no longer seem so attractive, because more often than not, the fate of a “living” plant is in your hands.
The choice is obvious - the bush remains alive, and the user is forced to continue doing his own thing. Brilliant? We think so.
A separate feature is how the phone itself rejects you if you still gave up and turned it on ahead of time. From the screen, under the guise of growing flora, phrases like “Don’t look at me!”, “Get back to work!”, “Put down the phone” and - my favorite - “Hang in there!” will fall on you. It sounds silly, but it helps, and when you end up getting your tree and coins without a single distraction from your work, the feeling of pride is as overwhelming as when you buy and leave a package of Royalcan for shelter dogs at the pet store.
Conclusion : if you care about trees, if you suffer from procrastination, if there is even the slightest chance that this will help, download it. It's free anyway.
Gagik Siravyan's Dancing Trees | Our environment
Gagik Siravyan
The ability to give life to an inanimate or, let's say, motionless object is not just a mechanical process that can be taught.
In order to animate an object, the artist, if he is, say, dealing with a portrait, must breathe breath into the model, otherwise it will remain a stone Galatea with empty eyes, or fill the landscape with action, make the waves rustle, etc.
Yerevan artist Gagik Siravyan builds his best works on this magical confrontation between dynamic and static. His trees do not have to take off, to break away from the roots, in order to express the fullness of the forces and impulses that overwhelm them. The range of passions Siravyan puts into the trees, which he calls “mine”, and rightfully calls them, is unlimited. But it is never humility, not absence, not silence.
Paradoxically, it is in the artist of multidirectional powerful energies, as if always living on a piercing wind, that the contemplative philosopher lives, who loves the world immensely as he sees it and accepts it without reservation.
ZHAM: Whether we like it or not, but childhood impressions, one way or another, appear in the work of any artist.
Either directly or implicitly.
GAGIK SIRAVIAN: Absolutely. But for me it is rather a general message, something bright, fabulously rich, saturated with love and kindness, respect for each other and sincerity.
ZHAM: Tell us about your family. What kind of people surrounded you?
G.S.: My brother and I were born in my father's workshop. My father, the famous Armenian painter Heinrich Siravyan, a favorite student of the great Armenian painter Martiros Saryan, worked in his studio for eight years, four of which he lived in Saryan's house. God sent him this great artist and teacher.
At an international exhibition in Moscow in 1958, Saryan saw his father's work and wanted to meet the author. And already in Yerevan he offered dad to work in his studio. They were united by a great friendship.
Tree-people, 2010
I really liked to go somewhere with my dad. He was an incredibly bright personality, with a sharp, extraordinary sense of humor. He was an example of honesty and dedication in regard to his attitude to Armenia, to his family, mother, to us, to his friends.
I will never forget our endless conversations with dad about art, painting, opera, Komitas, Saryan, Mozart…
I had the good fortune to communicate with many interesting people who often visited our home. These were my father's friends - famous poets, writers, artists: writer Grant Matevosyan, artist Hakob Hakobyan, poet Hamo Sagyan, actor Frunzik (Mher) Mkrtchyan, publicist Armen Hovhannisyan, philologist Levon Mkrtchyan and many others.
They were all individuals. Dad never forbade us to be present in their company, on the contrary, he always called us children to sit together at the table, where all kinds of insanely interesting conversations were held, and these were invaluable lessons for us ... I have an older brother and a younger sister, we were friends since childhood and still very much connected with each other.
I remember very well the extraordinary atmosphere of our family, in the creation of which, of course, there was a great merit of my mother with her boundless devotion to her father and us.
ZHAM: It is generally accepted that the creative manner of an artist is rarely developed spontaneously. Did you have teachers, samples? Did you go through a period of imitation, or did your peculiar manner form itself?
Penitent, 2003
GS: My father has always been and still is my teacher. It’s not that he somehow puts pressure on me, but it happens that the sons of many famous people suffer and suffer from this.
As for the period of imitation, it did not exist. There are patterns and there are images. Samples only help to come to your system of images. In a sense, I can say that the manner formed itself. Although in my youth my perception of painting was influenced, for example, by Max Ernst. But I didn't imitate him either.
Somehow, I remember, many years ago, when I suddenly suddenly felt the need to change my style, it was as if at one moment I saw how to write further - already without preliminary sketches. My brother asked if I knew there was an artist like Max Ernst and showed me his album.
I almost jumped on the spot, I saw his work for the first time, but at the same time I "knew" them, everything seemed very familiar to me.
I also remember that Marquez's book One Hundred Years of Solitude had a strong effect on me. While reading the book, I saw everything that Marquez wrote about, I "watched" this book like a movie, and re-read it, probably twenty times, constantly returning to it.
ZHAM: Armenia is not just like a Motherland, but like a kind of cultural code embedded in the genes, obviously, it is connected with what you do: with paintings, photographs… And if it is connected, then how strongly?
G.S.: Of course, you have noticed that I refer to the Pope very often. I learned a lot thanks to him. Father, his paintings are my cultural code for me. He often liked to repeat that I was born according to his sketch.
Papa let through himself the whole of Armenia, all its landscape, all its greatness. He loved her very much. It is not surprising that I feel Armenia with all my cells, blood and soul.
It is wonderful to know that you are a part of it. And I think, yes, Armenia and its spirit are reflected in my works, and quite fully.
ZHAM: It is impossible not to ask where this motif comes from: a whole gallery of trees, usually of sharp character, living their own special psychological life? Is it a momentary state in the process of work, or is it something more generalized and thoughtful each time?
G.S.: I really love the trees painted by my father, they are beautiful, I will not hide, subconsciously or consciously, but they had their influence on me, on my subsequent works, but my trees are completely different. It’s like a continuation, a new understanding of what I once admired very much. And I like to think and remember about my father's trees.
My tree. In the tree I see "My Man". Their eternal plasticity fascinates and fascinates me. They have so much strength and sadness, joy and greatness. Just as a person is exhausted from pain or from grief, or from immense joy, conveying this through movement.
I see an endless feeling of happiness - silent, without sound.
This is a dance, a blissful dance filled with memories and loss.
You "hear" how the tree grows and how it dies, you "know" how it feels. I see how they suffer, seeing my suffering. I see their pain, their exposed nerves. Pain is inseparable from beauty.
They have so much faith in the trees. I can't stop admiring their majesty. I feel their inner struggle, their desire for freedom, their courage and fearlessness. I seem to be painting myself, self-portraits of my soul. You "kill" the tree on the canvas, giving it a new life. You feel his breath.
I take a lot of photographs of trees, but have never used them as nature, as an object.
Our feelings, 2002
ZHAM: Speaking of photography, which you are also passionate about… Do your artistic principles conflict here?
Is it a continuation of painting or does photography live by itself, according to its own laws?
G.S.: In a sense, yes, in its own way, and sometimes it occupies a completely separate place.
But it cannot exist completely on the outskirts.
Painting and photography still complement each other. I draw "my world" again from "my world". I am looking for myself in my surroundings and love that nature, that landscape, which is mine, which “looks like” me. Madly in love with mystical "dramatic" clouds, as if leading to another dimension, the millennium.
I am subconsciously, or even clearly aware, looking for light. "Unique" light - both figuratively and in the truest sense of the word. Light excites me endlessly, the light in nature, and, of course, especially the one that illuminates "my" trees.
ZHAM: Are the worlds that you recreate more of a product of the imagination, or are there behind them real, but transformed impressions, events? Is your tree a concrete tree or an embodiment of an abstract emotion dressed in it?
GS: My worlds are myself. This is a product of my imagination, which pulls real events. Often you only realize this later, analyzing your work.
Specific events, feelings, experiences, memories that become a part of you and look for a way out, resentments, wounds, many of which live with you years later, sooner or later can become paintings.
There is a place on the shore of Lake Sevan, where I have been for 37 years, every year. Here is an integral part of "my" world. Special part, important part. The most beloved place on our planet. I see a lot through his lens. There I feel infinity, connection with the Universe. Time seems to stop, past, future and present are merged into one, passing into each other, moving you in space. This place is almost always "present" in one way or another in my works.
ZHAM: It seemed to me that the feeling of the wholeness of the universe, pantheism, which is close to you, is somehow transferred to your works. They don't argue with each other.
G.S.: Of course, as everything in the world is interconnected, all my works are connected in one way or another. There are no "breaks" between them.
But, on the other hand, I cannot force your eyes to admire the altered reality, it is not in my principles to coarsen perfection, change nature and change the "character" of nature, thereby interfering with its impeccability. I only need to be able to see, notice, “accept”, fall in love with the beauty around me, which may not be there in the next minute.
But it is also infinitely sad to realize that no one can be there to love her...
Vitaliy Naumenko, ZHAM magazine
Curriculum vitae:
Gagik Genrikhovich Siravyan was born in 1970 in Yerevan the family of the famous artist Heinrich Siravyan.
In 1989 he graduated from the Art College. P. Terlemezyan.
In 1995, the Faculty of Painting of the Yerevan Academy of Arts.
Member of the Union of Artists of Armenia since 1996. Since 1994, he has participated in national exhibitions of young artists, in a number of republican exhibitions in Armenia and in international exhibitions.
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